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Dictation; Rhythm dictation; Remembering rhythmic patterns; Theory: name intervals and scales; Cadences; Intonation; Identify harmonic progressions; This software was made in such way that it is possible for the user to customize the existing exercises or create new ones.
Dalcroze eurhythmics, also known as the Dalcroze method or simply eurhythmics, is a developmental approach to music education.Eurhythmics was developed in the early 20th century by Swiss musician and educator Émile Jaques-Dalcroze and has influenced later music education methods, including the Kodály method, Orff Schulwerk and Suzuki Method.
Jazz Chant is a rhythmic expression of natural language which links the rhythms of spoken American English to the rhythms of traditional American jazz. Jazz Chants are defined poems with repeated beats. The beat may vary depending on the idea of the reader.
Italian "solfeggio" and English/French "solfège" derive from the names of two of the syllables used: sol and fa.[2] [3]The generic term "solmization", referring to any system of denoting pitches of a musical scale by syllables, including those used in India and Japan as well as solfège, comes from French solmisation, from the Latin solfège syllables sol and mi.
Since version 6.1, EarMaster can import music scores with up to 8 voices in the Music XML format in order to use them in its rhythmic and melodic exercises (for SATB sight-singing for example) EarMaster includes an editable library with chords, scales, chord progressions, and over 600 Jazz and Classical music scores to be used in custom ...
The process is similar to twelve-tone ear training, but with many more intervals to distinguish. Aspects of microtonal ear training are covered in Harmonic Experience, by W. A. Mathieu, with sight-singing exercises, such as singing over a drone, to learn to recognize just intonation intervals. There are also software projects underway or ...
Takadimi is a system devised by Richard Hoffman, William Pelto, and John W. White in 1996 in order to teach rhythm skills. Takadimi, while utilizing rhythmic symbols borrowed from classical South Indian carnatic music, differentiates itself from this method by focusing the syllables on meter and western tonal rhythm.
This was used as a dictation exercise by his composition students in 1908. [3] Janáček had extensive experience working with choirs, as well as writing a large amount of choral music. It begins and closes with triumphant fanfares dominated by the brass. In between these sections lies particularly vibrant and rhythmic writing for solo voices ...