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In the West, the onna-musha gained popularity when the historical documentary Samurai Warrior Queens aired on the Smithsonian Channel. [41] [42] Several other channels reprised the documentary. The 56th NHK taiga drama, Naotora: The Lady Warlord, was the first NHK drama where the female protagonist is the head of a samurai clan. [43]
The prints are unsigned, but they are attributed to Kitagawa Utamaro (c. 1753 – 1806). [6] The preface is signed with the pen name Honjo no Shitsubuka ("Profligate of Soggy Honjo"); amongst those suspected to have written it are the writer and poet Tōrai Sanna (1744–1810) and the poet Akera Kankō [] (1740–1800). [6]
A black cat appears, licking at the bodies. The women return as ghosts with the appearance of fine ladies, who wait at Rajōmon. They find the samurai troop and bring them to an illusory mansion in the bamboo grove where the burnt-out house was. They seduce and then kill the samurai like cats, tearing their throats with their teeth.
Edo (now Tōkyō) in the 18th century.During a parade of samurai and their families and concubines, Seinosuke Koide, a samurai and artist affiliated to a Kanō school master, visits a print shop where he sees a woodcut print by Utamaro that boasts the superiority of his ukiyo-e style over the prevailing Chinese style.
A wave of interest in Japanese art swept France from the mid-19th century, called Japonisme. Exhibitions in Paris of Japanese art began to be staged in the 1880s, include an Utamaro exhibition in 1888 by the German-French art dealer Siegfried Bing. [41] The French Impressionists regarded Utamaro's work on a level akin with Hokusai and Hiroshige ...
Kuniyoshi, a famous printmaker, specialized in warrior images and produced a series of prints known as the 108 Heroes of the Suikoden. [1] [2] During the late Edo period, censorship laws passed by the Tokugawa Shogunate made the creation of musha-e more difficult. Artists and publishers therefore often changed the names of characters or events ...
[1] [2] Naginata were originally used by the samurai class of feudal Japan, as well as by ashigaru (foot soldiers) and sōhei (warrior monks). [3] The naginata is the iconic weapon of the onna-musha, a type of female warrior belonging to the Japanese nobility. A common misconception is that the Naginata is a type of sword, rather than a polearm.
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