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Their second single "When I Woke Up This Morning" became an East Coast Doo-wop hit in 1957 and was released “Really Love Her So” on the B-side and sold over 75,000 copies. They would be invited back for a second performance at the Apollo, this time performing alongside Fats Domino and Little Richard. They continued to perform on the East ...
The Chords were one of the early acts to be signed to Cat Records, a subsidiary label of Atlantic Records. [2] Their debut single was a doo-wop version of a Patti Page song "Cross Over the Bridge", and the record label reluctantly allowed a number penned by the Chords on the B-side. [3]
At Billboard magazine, the album reached No. 27 on the Top 200 albums chart, while the song "Morning Dance" reached No. 24 on the Hot 100 songs chart and No. 1 on the Adult Contemporary songs chart. [4] In Canada, the album reached No. 47 in its 10th week, [5] and returned to No. 49 in its 20th week of 25 in the top 100.
"Three Chords and the Truth", an oft-quoted phrase coined by Harlan Howard in the 1950s which he used to describe country music; Three Chords and the Truth, a 1997 book by Laurence Leamer about the business and lifestyle of country music and its many stars; Three Chords & the Truth, a radio show hosted by Duff McKagan and Susan Holmes McKagan.
In the UK, "Gonna Make You Sweat (Everybody Dance Now)" peaked a number three in its sixth week at the UK Singles Chart, on January 13, 1991, [9] a full month before its American pop success. It even found success in the urban contemporary music world as it crossed over to the R&B charts where it reached number-one for a week.
"Morning Dance" is the title of an instrumental recording by the noted smooth jazz/jazz fusion band Spyro Gyra. Songwriter and band member Jay Beckenstein plays the alto sax on this track, and it features a memorable tenor steel pan .
When you breathe, air flows smoothly in and out of your nose, Ramakrishnan says. But when you sneeze, you expel air and change up that flow, forcing odorous particles in your nose or throat upward ...
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...