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Paperhouse is a 1988 British dark fantasy film directed by Bernard Rose. It was based on the 1958 novel Marianne Dreams by Catherine Storr. The film stars Ben Cross, Glenne Headly and Gemma Jones. The original novel was the basis of a British TV series for children titled Escape Into Night.
Paperhouse may refer to: Paperhouse, a 1988 British film; Paperhouse Records, a British independent record label "Paperhouse", a song by Can from the 1971 album Tago Mago; The Paper House, a historic house museum largely made out of newspaper
Bernard Rose (born 1960 in London) is an English filmmaker, considered a pioneer of digital filmmaking. [1] He is best known for directing the horror films Paperhouse (1988) and Candyman (1992), [2] the historical romances Immortal Beloved (1994) [3] [4] and Anna Karenina (1997), and the independent drama Ivans xtc (2000), for which he was nominated for the Independent Spirit Award for Best ...
1988: American Hunter: Bayar tapi nyicil: Catatan si boy 2: Elegi buat Nana: ... Most watched film in Indonesia with 9,233,847 viewer Missing Home: Bene Dion Rajagukguk:
Title Director Cast Genre Notes 1988: The Adventures of Baron Munchausen: Terry Gilliam: John Neville, Eric Idle, Sarah Polley, Oliver Reed: Adventure/fantasy: Co-production with the United States and West Germany
Samarang (film) Samiun dan Dasima; Sawo Matang; Selamat Berdjuang, Masku! Serangan Fajar; Serigala Terakhir; Sexy Killers; Si Buta Lawan Jaka Sembung; Sing to the Dawn (2008 film) Soeara Berbisa; Son of Kong; The Spiral Road; Sri Asih (1954 film) Stone Age Warriors; The Story of Dr. Wassell; Suster Keramas
The film industry is currently the fastest-growing subsector of Indonesia's creative economy. [12] The number of moviegoers in the country were more than 52 million in 2019. In 2023, the local film industry in Indonesia set a new record with 20 films attracting over 1 million viewers each. [13] The Indonesian film industry released 230 films in ...
Indonesian horror films, particularly the work of Joko Anwar, attracted heightened international attention in the late 2010s, aided by streaming services. Some outlets declared films like Impetigore (2019) as part of a new wave of folk horror films from Southeast Asia .
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