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Custom vector, based on the following film posters: archive.org; archive.org "X" lettering from this TTF font archive.org "NO ONE UNDER 17 ADMITTED" text is rendered using Helvetica Bold Condensed, which appears to be an exact match for the font used in the source images. Manual tracking of the text was applied (-50). Kerning was left on "auto".
However, you have the option of putting the image into one of the appropriate sub-categories such as Non-free images of event posters, Non-free images of film posters, Animated film posters, Non-free images of television program posters, Non-free images of theatre posters, etc. To so, simply pass the name of the category as the first unnamed ...
Charcoal (Mac OS 9 system font) Designer: David Berlow: Chicago (pre-Mac OS 9 system font, still included with Mac OS X) Designer: Susan Kare: Adobe Clean - Adobe's now standard GUI and icon font Class: Humanist, Spurless : Clear Sans (Intel) Designer: Dan Rhatigan, George Ryan, Robin Nicholas : Clearview Designer: James Montalbano et al. Class ...
Bitstream Cyberbit (free for non-commercial use. 29,934 glyphs in v2.0-beta.) Bitstream Vera (free/open source, limited coverage with 300 glyphs, DejaVu fonts extend Bitstream Vera with thousands of glyphs) Charis SIL (free/open source, over 4,600 glyphs in v4.114) Code2000 (shareware Unicode font; supports the entire BMP. 63,888 glyphs in v1 ...
The world's first film poster (to date), for 1895's L'Arroseur arrosé, by the Lumière brothers Rudolph Valentino in Blood and Sand, 1922. The first poster for a specific film, rather than a "magic lantern show", was based on an illustration by Marcellin Auzolle to promote the showing of the Lumiere Brothers film L'Arroseur arrosé at the Grand Café in Paris on December 26, 1895.
The Free UCS Outline Fonts [1] (also known as freefont) is a font collection project. The project was started by Primož Peterlin and is currently administered by Steve White. The aim of this project has been to produce a package of fonts by collecting existing free fonts and special donations, to support as many Unicode characters as possible.
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Trajan was designed for display instead of printed text – specifically for use in large sizes. [1] Twombly's digitisation of Trajan has become very popular, as seen in its widespread presence on movie posters, television shows, and book covers. [4] A bold weight was added to Trajan when it was made digital. [1]