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Kurt Moll (11 April 1938 – 5 March 2017) [1] was a German operatic bass singer who enjoyed a widely renowned international career. [2]His voice was notable for its range, a true basso profondo, including full, resonant low and very-low notes with relaxed vibrato; also for its unusual combination of extreme volume-capacity and a purring, contrabassoon-like timbre.
The bass singing voice has a vocal range that lies around the second E below middle C to the E above middle C (i.e., E 2 –E 4). [1] As with the contralto singing voice being the rarest female voice type, the bass voice is the rarest for males, and has the lowest vocal range of all voice types. [2]
Since the 1950s, the electric bass guitar has largely replaced the double bass in popular music. Bass guitarists provide the low-pitched basslines and bass runs in many different styles of music ranging from rock and metal to blues and jazz. Bassists also use the bass guitar as a soloing instrument in jazz, fusion, Latin, funk, and in some rock ...
The low extreme for basses is generally C 2 (two Cs below middle C). Some extreme bass singers, referred to as basso profondos and oktavists, are able to reach much lower than this. Within opera, the lowest note in the standard bass repertoire is D 2, sung by the character Osmin in Mozart's Die Entführung aus dem Serail, but few roles fall ...
1965: Bass, Bass, Bass (re-issued in 1975 as the Stamps Quartet Present Their Dynamic Bass) 1968: The Many Moods of the Illustrious J. D. Sumner; 1969: The Heart of a Man (re-issued in 1982 as The Masters V Present Their Majestic Bass, J. D. Sumner) 1972: The Way It Sounds Down Low; 1984: Thank God for Kids; 1985: An American Trilogy
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Ron Carter, 2008. He is the most-recorded bassist in jazz history, with appearances on over 2,200 albums. [1]This list of jazz bassists includes performers of the double bass and since the 1950s, and particularly in the jazz subgenre of jazz fusion which developed in the 1970s, electric bass players.
Carol Kaye (One of the most recorded bass players in history) Charlotte Kemp Muhl (from The Ghost of a Saber Tooth Tiger) Kerri Kenney-Silver (formerly of Cake Like) Debra Killings; Holly Knight (formerly of Device) handled the bass parts on the band's lone album 22B3