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[citation needed] Thus the Neupert firm still offers its mid-century "Bach" model for sale, defending it explicitly on the grounds of its suitability for 20th-century music. [3] The transition of harpsichord building toward historicist principles is covered in detail by Hubbard (1965), Zuckermann (1969), and Kottick (2003), cited below.
At the University of Chicago, Williamson met Philip Manuel (1893–1959) and the two developed an interest in harpsichord as a concert instrument. At this time in the 1920s, there were fewer than 50 harpsichords in the United States, most located in museums. [ 1 ]
John Challis (1907–1974) was an American builder of harpsichords and clavichords, at one time the only such maker of harpsichords in the United States.. His father Charles was a jeweler and watchmaker who moved his family from South Lyon, Michigan to Ypsilanti, Michigan in 1919.
Keith Richard Hill (born 8 May 1948) is a prize winning [1] American maker of musical instruments [2] [3] He has conducted research into the acoustical technology employed by musical instrument makers from 1550–1850, and used this knowledge to create hundreds of harpsichords, clavichords and other instruments.
Pleyel et Cie. ("Pleyel and Company") is a French piano manufacturing firm founded by the composer Ignace Pleyel in 1807. [2] In 1815, Pleyel's son Camille joined him as a business partner. The firm provided pianos to Frédéric Chopin , [ 3 ] who considered Pleyel pianos to be "non plus ultra". [ 4 ]
Alastair McAllister (born Mildura, 3 August 1942) is an Australian harpsichord builder known for his historical integrity, design and workmanship, and for producing modern copies of instruments that closely match their prototypes in sound and touch. At the age of 15, he became inspired by the Baroque after hearing the music of Domenico ...
The piano firm Pleyel et Cie was founded by Ignace Pleyel and continued by Pleyel's son Camille (1788–1855), a piano virtuoso who became his father's business partner as of 1815. The firm provided pianos used by Frédéric Chopin , who considered Pleyel pianos to be non plus ultra . [ 21 ]
The first cross-strung harp is believed to have been created in the late 16th century in Spain and was known as the arpa de dos órdenes.Its identity as an instrument was established as soon as the early 17th century and it was used in both liturgical and secular music.