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The album was produced primarily by Jerry Goldstein. [7] It was War's final album with B.B. Dickerson as a full member of the band; discounting Eric Burdon, it was also the band's final album with its original lineup. [8] [9] War and the film's studio used a multi-track synchronizing system, as did many soundtracks of the period. [10 ...
Double album: half compilation, half new material; 6 7 RIAA: Gold [8] The Best of the Music Band: Released: 1982; Label: MCA Records — — The Best of War... and More: Released: 1987; Label: Avenue Records; Includes two new tracks and a remix; 156 — RIAA: Platinum [11] The Best of Eric Burdon and War: Released: 1996; Label: MGM Records ...
War is the third album by American band War, and their first following the departure of singer Eric Burdon and the group's name change from the original Eric Burdon and War. It was released in March 1971 on United Artists Records , their first for the label.
The title single, issued in July 1971, was backed with "Get Down". [3] [4]"Slipping Into Darkness", issued in November 1971 (backed with "Nappy Head"), War's first big hit since their name change from Eric Burdon and War, was on the Billboard Hot 100 for 22 weeks and so tied with Gallery's "Nice to Be With You" for most weeks on that chart all within the calendar year 1972.
The Music Band is an album by the American band War, released on MCA Records in 1979. [2] [3] It peaked at No. 41 on the Billboard 200. [4] In 1979, War considered changing its name to The Music Band, possibly regarding its old name as too aggressive for modern times. (They had formed in 1969 during the Vietnam War.) But by the time this album ...
This Means War is the third album by English heavy metal band Tank, released in 1983. On this album, the line-up expanded to a four-piece, with the addition of second guitarist Mick Tucker, former member of the NWOBHM band White Spirit .
Heather Phares of AllMusic described it as "an eclectic, expertly chosen set of songs that help define why True Blood is such addictive watching". [6] Leah Greenblatt of Entertainment Weekly wrote "True Blood Vol. 2 manages to both evoke its source — that supernatural Louisiana swamp of longing, bloodlust, and just...lust — and work apart from it, too".
Reviewing in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau wrote: "The first side of the most unambitious album they've ever made works beautifully as what it is—P-Funk on thorazine, with the phrasemaking acuity of previous War records reduced to one title, 'Sweet Fighting Lady.' Side two winds down from a ...