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Tesla Model X: horizontal alignment of the door handles and the top of the headlight demonstrates the continuity aspect of the unity. In an example provided by Post et al., a car designer might choose to provide the variety through the use of a different color for the car door handles while enforcing unity by placing similarly-shaped handles on ...
Art and (aesthetic) mythology, according to Dewey, is an attempt to find light in a great darkness. Art appeals directly to sense and the sensuous imagination, and many aesthetic and religious experiences occur as the result of energy and material used to expand and intensify the experience of life.
When elements are designed larger than life, the scale is being used to show drama. [2] Scale can be considered both objectively and subjectively. In terms of objective, scale refers to the exact literal physical dimensions of an object in the real world or the coloration between the representation and the real one.
A portion of the history of painting in both Eastern and Western art is dominated by religious art. Examples of this kind of painting range from artwork depicting mythological figures on pottery, to Biblical scenes on the Sistine Chapel ceiling, to scenes from the life of Buddha (or other images of Eastern religious origin). (Full article...
The use of the pictorial elements of painting such as line and color to convey an ultimate unifying theme or idea was regarded as the highest expression of art, and an idealism was adopted in art, whereby forms seen in nature would be generalized, and in turn subordinated to the unity of the artwork.
The originator of the term was the French art critic Jules-Antoine Castagnary, who in 1863 announced that: "The naturalist school declares that art is the expression of life under all phases and on all levels, and that its sole aim is to reproduce nature by carrying it to its maximum power and intensity: it is truth balanced with science".
That nature evolves towards a purpose, and that is the unfolding of the human mind and consciousness in all its levels and degrees, is not teleological but a function of the very nature of the law of polarity or creation itself, namely that of increasing individuation of an original unity, what Coleridge termed 'multeity in unity'. As he states ...
The idea of life imitating art is a philosophical position or observation about how real behaviors or real events sometimes (or even commonly) resemble, or feel inspired by, works of fiction and art. This can include how people act in such a way as to imitate fictional portrayals or concepts, or how they embody or bring to life certain artistic ...