Search results
Results from the WOW.Com Content Network
Traditionally there are two types of Romani music: one rendered for non-Romani audiences, the other is made within the Romani community. The music performed for outsiders is called "gypsy music", which is a colloquial name that comes from Ferenc Liszt. They call the music they play among themselves "folk music". [19]
Music played in this style differs from actual Romani music played by Romani and Sinti people, many of whom regard the term "gypsy" as a slur when applied to their community. It consists mainly of instrumentals and usually performed by strings , except in the Romanian variant where the pan flute is the main instrument.
Gypsy music may refer to: Gypsy music, also known as Gypsy style, Romani-related music played in a characteristic gypsy style and Romani music, the original music of the Romani people; Gypsy jazz, jazz played by Romani people; Gypsy punk, a hybrid of Romani music and punk rock; Gypsy scale, a musical scale sometimes found in Romani music
Tchavolo Schmitt (left) with Steeve Laffont, playing their brand of gypsy jazz at la Chope des Puces, Paris, in 2016. Gypsy jazz (also known as sinti jazz, gypsy swing, jazz manouche or hot club-style jazz) is a musical idiom inspired by the Romani jazz guitarist Jean "Django" Reinhardt (1910–1953), in conjunction with the French jazz violinist Stéphane Grappelli (1908–1997), as expressed ...
Nóta is a form of 19th-century Hungarian popular song.It is one of a number of styles collectively referred to as cigányzene, which literally means Gipsy music but is used to refer to a number of styles of Hungarian folk music that are played in a typical Gipsy musical style.
Zigeunerweisen (Gypsy Airs, Spanish: Aires gitanos), Op. 20, is a musical composition for violin and orchestra written in 1878 by the Spanish composer Pablo de Sarasate. It was premiered the same year in Leipzig, Germany.
The song was written around 1923 and first recorded in 1926. In English it is also known as the Spanish Gypsy Dance. [1] Its main refrain (eight bars of arpeggiated chords that go from E major to F major (with added 4 instead of 5) to G major and back) is arguably the best known snippet of Spanish music and is popular worldwide. [citation needed]
The Zigeunerlieder (Gypsy songs), Op. 103 and Op. 112 Nos. 3–6, are a song cycle for four singers (or choir) and piano by Johannes Brahms (Op. 103 Nos. 1–7 and 11 exist also in an arrangement for solo voice and piano made by Brahms himself).