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The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
Girls Grow Up Faster Than Boys The Cookies: Gerry Goffin 1964 Billboard #33 Girls Were Made for Boys Bobby Roy and the Chord-a-Roys, Bob Barravecchia, Delltones Noel Sherman Give It Up Joe Shapiro Give Me Your Lips Noel Sherman Go Fight for Her The Astronauts Larry Kolber Go Fight Your Heart Paul Kaufman Good Morning Love Charlene John Carter 1971
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The song also is notable for its simple, sparse lyrics, but with a direct message. Related to that, lead singer and bassist James Warren has said that the song took only 10 or 15 minutes to write, after he sang the first thing to come into his mind while he played both the chords and melody on the piano.
Three Chords and the Truth is the third studio album by American street punk band The Ducky Boys. It released on November 16, 2004 via Thorp Records and was produced and mixed by Jim Siegel. The group reverted to a three piece band with a big, professional recorded sound for the album.
"My Boy Only Breaks His Favorite Toys" is a song written and recorded by the American singer-songwriter Taylor Swift for her eleventh studio album, The Tortured Poets Department (2024). Produced by Swift and Jack Antonoff, it is a synth-pop song featuring marching drums and elements of new wave. The lyrics describe romantic abandonment by an ...
The accompanying chords (i.e. E major, D major and A major) are borrowed from the E mixolydian scale, which is often used in blues and rock. The title line is an example of a negative concord . Jagger sings the verses in a tone hovering between cynical commentary and frustrated protest, and then leaps half singing and half yelling into the ...
"The Low Spark of High Heeled Boys" is the title track from the 1971 album by British rock band Traffic, written by Jim Capaldi and Steve Winwood. Despite never being released as a single due to its long duration, it became a staple of North American AOR -format FM radio stations in the 1970s and still receives airplay on classic rock radio today.