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Christina's World is a 1948 painting by American painter Andrew Wyeth and one of the best-known American paintings of the mid-20th century. It is a tempera work done in a realist style, depicting a woman in an incline position on the ground in a treeless, mostly tawny field, looking up at a gray house on the horizon, a barn, and various other small outbuildings are adjacent to the house. [1]
Pages for logged out editors learn more. Contributions; ... Pages in category "Paintings by Andrew Wyeth" ... (painting) This page was last ...
Otherworld is a 2002 painting by American artist Andrew Wyeth. [1] The painting depicts Andrew Wyeth's wife and manager, Betsy Wyeth , looking out the window of private jet. Andrew had originally titled the painting Betsy's World in reference to his famous painting Christina's World , but it was renamed Otherworld by Betsy.
Andrew Wyeth. Untitled, 1986. Watercolor on paper, B3150. Unframed: 11 x 14 in. Collection of the Wyeth Foundation for American Art.
Grave of Andrew Wyeth, with the Olson House in the background, Cushing, Maine. The couple had two sons. Nicholas was born in 1943. Jamie Wyeth, born in 1946, followed his father's and grandfather's footsteps, becoming the third generation of Wyeth artists. Andrew painted portraits of both children (Nicholas and Faraway of Jamie). Andrew was the ...
The Brandywine Museum of Art is a museum of regional and American art located on U.S. Route 1 in Chadds Ford, Pennsylvania on the banks of the Brandywine Creek.The museum showcases the work of Andrew Wyeth, a major American realist painter, and his family: his father N.C. Wyeth, illustrator of many children's classics; his sister Ann Wyeth McCoy, a composer and painter; and his son Jamie Wyeth ...
Cline would also model for Wyeth's painting The Patriot. [5] [2] In the process of development, Wyeth removed the extraneous figures and used a singular model named Shirley Russel. In the end, Wyeth went with Elaine Benner, also a girl from Waldoboro, who Meryman describes as the: "Helga look-alike." [5] Benner would also model for the painting ...
In 2011, Ken Johnson of The New York Times reviewed an exhibition where Winter Fields was included, and wrote about a recurring theme in 20th-century art of declining spirituality: "Winter Fields, a painting that Andrew Wyeth made in 1942 when he was leaning toward Magic Realism, puts it more succinctly.