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Johannes Brahms: Serenade No. 1 in D Major (for orchestra, Op. 11) Mvt 4 Menuetto I/II (arr. C. Schumann) pf 1858 or later 2012 Johannes Brahms: Serenade No. 2 in A Major (for orchestra, Op. 16) (arr. C. Schumann) pf 1859 or later 2012 30 mélodies de Robert Schumann (30 Lieder und Gesänge von Robert Schumann, für Clavier übertragen)
Composed in 1846, the Piano Trio in G minor, opus 17 by Clara Schumann is considered her greatest, most mature four-movement work. It is her only piano trio, [1] composed while she lived in Dresden, following extensive studies in fugue writing and the publication of her Three Preludes and Fugues For Piano, opus 16 in 1845.
Clara Josephine Wieck [ˈklaːʀa ˈjoːzɛfiːn ˈviːk] was born in Leipzig on 13 September 1819 to Friedrich Wieck and his wife Mariane (née Tromlitz). [1] Her mother was a famous singer in Leipzig who performed weekly piano and soprano solos at the Gewandhaus. [2]
Piano Trio (Clara Schumann) T. Three Romances for Violin and Piano This page was last edited on 18 April 2020, at 02:40 (UTC). Text ...
In the final section, Schumann references the main theme from her husband Robert Schumann's first violin sonata. [6] The second romance is more syncopated, with many embellishments. It is sometimes considered as representative of all three, with energetic leaps and arpeggios, followed by a second theme and then a return to the first theme. [7]
Clara Wieck was an accomplished concert pianist, trained by her father Friedrich Wieck. [1] She was already making international tours at age eleven and composed piano pieces for her recitals. [ 1 ] In January 1833, at age 13, she began composing a Piano Concerto in A minor , completing in November a single-movement Konzertsatz that she ...
The pieces also reflect Schumann's longstanding interest in folk music, especially music from Germany and Bohemia. The dedicatee of the work, Andreas Grabau, was a cellist in the Leipzig Gewandhaus Orchestra and a celebrated chamber musician. He had met Clara Schumann in 1828, when she was nine years old, and was introduced soon after to Robert.
Clara Schumann, Robert's widow, later claimed on the first page of the score to the symphony—as published in 1882 as part of her husband's complete works (Robert Schumanns Werke, Herausgegeben von Clara Schumann, published by Breitkopf & Härtel)—that the symphony had merely been sketched in 1841 but was only fully orchestrated ...