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  2. Voice crossing - Wikipedia

    en.wikipedia.org/wiki/Voice_crossing

    In music, voice crossing is the intersection of melodic lines in a composition, leaving a lower voice on a higher pitch than a higher voice (and vice versa). Because this can cause registral confusion and reduce the independence of the voices, [ 1 ] it is sometimes avoided in composition and pedagogical exercises.

  3. List of musical symbols - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_symbols

    Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...

  4. Time–frequency analysis for music signals - Wikipedia

    en.wikipedia.org/wiki/Time–frequency_analysis...

    Music is a type of sound that has some stable frequencies in a time period. Music can be produced by several methods. For example, the sound of a piano is produced by striking strings, and the sound of a violin is produced by bowing. All musical sounds have their fundamental frequency and overtones. Fundamental frequency is the lowest frequency ...

  5. Voice exchange - Wikipedia

    en.wikipedia.org/wiki/Voice_exchange

    Voice exchange is also used in Schenkerian analysis to refer to a pitch class exchange involving two voices across registers, one of which is usually the bass. In this sense, it is a common secondary structural feature found in the music of a wide variety of composers. [12]

  6. Music theory - Wikipedia

    en.wikipedia.org/wiki/Music_theory

    The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...

  7. Counterpoint - Wikipedia

    en.wikipedia.org/wiki/Counterpoint

    In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1]

  8. Voicing (music) - Wikipedia

    en.wikipedia.org/wiki/Voicing_(music)

    The highest voice is the first voice or voice 1. The second-highest voice is voice 2, etc. This nomenclature doesn't provide a term for more than one voice on the same pitch. A dropped voicing lowers one or more voices by an octave relative to the default state. Dropping the first voice is undefined—a drop-1 voicing would still have all ...

  9. Glossary of music terminology - Wikipedia

    en.wikipedia.org/wiki/Glossary_of_music_terminology

    vocal score or piano-vocal score A music score of an opera, musical, or a vocal or choral composition with orchestra (like oratorio or cantata) where the vocal parts are written out in full but the accompaniment is reduced to two staves and adapted for playing on piano voce Voice volante Flying volti subito (V.S.) Turn immediately (i.e. turn ...

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