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Wayang kancil (Javanese: ꦮꦪꦁꦏꦚ꧀ꦕꦶꦭ꧀) is a type of shadow puppet with the main character of kancil (Javanese: ꦏꦚ꧀ꦕꦶꦭ꧀) [45] and other animal stories taken from Hitopadeça and Tantri Kamandaka. Wayang kancil was created by Sunan Giri at the end of the 15th century and is used as a medium for preaching Islam in ...
Wayang wong (Javanese: ꦮꦪꦁꦮꦺꦴꦁ (in the ngoko register)), [1] also known as wayang orang (lit. ' human-form wayang '), is a type of classical Javanese and Balinese dance theatrical performance with themes taken from episodes of the Ramayāna or Mahabharāta. Performances are stylised, reflecting Javanese court culture:
Wayang style is a style of puppetry influenced by the Indonesian wayang kulit, in which human figures and those that are supernatural are depicted as flat and very two-dimensional - hence the name wayang, meaning "shadow" [1]). This style was commonly used in East Java during the Majapahit Empire, which lasted from about 1293 AD to around 1500 AD.
Wayang golek began using the accompaniment of sinden in the 1920s. Until now the wayang golek continues to develop as entertainment for the community, especially in Sundanese land. In this wayang golek show, as with other wayang shows, plays and stories are played by a puppeteer. The difference is the language in the dialogue that is brought is ...
This reference to wayang as shadow plays suggested that wayang performance was already familiar in Airlangga's court and wayang tradition had been established in Java, perhaps even earlier. An inscription from this period also mentions some occupations such as awayang and aringgit. [19] Wayang kulit is a unique form of theatre employing light ...
The Wayang Museum (Indonesian: Museum Wayang) is a museum dedicated to Javan wayang puppetry. The museum is located in Kota Tua, Jakarta, Indonesia.It is one of several museums and galleries facing Fatahillah Square, which include the Jakarta History Museum, Fine Art and Ceramic Museum, and Kota Post Office art gallery.
Similar characters appear in other Indonesian wayang and theatrical traditions, including those of Bali and Sunda, under different names. [ 6 ] [ 7 ] The panakawan characters are generally much-loved by audiences who attend wayang plays in Indonesia and their appearance in the plays is usually greeted with laughter and anticipation.
The wayang kulit performance by the Indonesian notable dalang (puppet master) Manteb Soedharsono, with the story "Gathutkaca Winisuda", in Bentara Budaya Jakarta, to commemorate the anniversary of the Kompas daily. The dhalang or dalang (Javanese: ꦝꦭꦁ, romanized: dhalang; [1] Indonesian: dalang) is the puppeteer in an Indonesian wayang ...