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Tape bias is the term for two techniques, AC bias and DC bias, that improve the fidelity of analogue tape recorders. DC bias is the addition of direct current to the audio signal that is being recorded. AC bias is the addition of an inaudible high-frequency signal (generally from 40 to 150 kHz) to the audio signal. Most contemporary tape ...
By 1976, ferricobalt formulations took over the video tape market, [60] and eventually they became the dominant high-performance tape for audio cassette. [51] Chromium dioxide disappeared from the Japanese domestic market, [51] although chrome remained the tape of choice for high fidelity cassette duplication among the music labels. In consumer ...
The Compact Cassette, also commonly called a cassette tape, [2] audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips , the Compact Cassette was released in August 1963.
In magnetic tape recording, adaptive biasing is the technique of continuously varying the bias current to a recording head in accordance with the level of high-frequency audio signals. With adaptive biasing, high levels of high-frequency audio signals cause a proportionate decrease in bias current using either feedforward or preferably a ...
typically 15–25 minutes per side (30 minutes per side for classical & spoken word), although 45 minutes is possible with tight groove spacing and no spacing between tracks. Audio cassette: Analog usually 30 (C-60) or 45 (C-90) minutes per side, 60 (C-120) minutes per side have also been sold although the tape is more prone to stretching or ...
Cassette tape, a two-spool tape cassette format for analog audio recording and playback and introduced in 1963 by Philips; DC-International, a format that was created by Grundig after Phillips had abandoned an earlier format that was being created alongside the Compact Cassette; 8-track tape, continuous loop tape system introduced in 1964
In 1989 JVC increased the run time to 30 minutes by using thinner tape. [3] Later, JVC offered 45-minute and 60-minute cassettes. For comparison, 120-minute 8-mm cassettes became available in the late 1985 and quickly became the norm. Later, 150-minute and 180-minute 8-mm cassettes were offered as well.
[50] [51] Reel-to-reel recorders did not need it because quarter-inch tape technology developed slowly, tapes on the market had very close magnetic and electroacoustical properties, and because high-speed recording was by design less sensitive to variations of tape properties. [50] Cassette tape technology, on the contrary, developed rapidly ...
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