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Fernando Botero Angulo (19 April 1932 – 15 September 2023) [3] was a Colombian figurative artist and sculptor. [4] His signature style, also known as "Boterismo", depicts people and figures in large, exaggerated volume, which can represent political criticism or humor, depending on the piece.
Fernando Botero's contribution to Neofiguration coincide with his appropriation of the most famous works throughout art history, from the Middle Ages, to the Impressionists, to Picasso and Matisse. [5] However, in his reworking of these famous paintings. Botero puts his own spin on the original subjects.
Artists Fernando Botero, Herman Braun-Vega and Alberto Gironella frequently employed this technique. Colombian figurative artist Fernando Botero , whose work features unique "puffy" figures in various situations addressing themes of power, war, and social issues, has used this technique to draw parallels between current governing bodies and the ...
Botero depicted politicians, animals, saints, and scenes from his childhood in an inflated and colorful form that was instantly recognizable. Colombian painter and sculptor Fernando Botero, known ...
Colombia: Fragmented Land, Divided Society (Latin American Histories). Oxford: Oxford University Press. ISBN 0-19-504617-X. United States Air Force Culture and Language Center (2015). Expeditionary Culture Field Guide. Colombia (PDF). Maxwell Air Force Base, AL: Air Force Culture & Language Center. Archived from the original (PDF) on 16 May 2016
Botero's Paloma de la paz has been seen by Colombians as a symbol of support for the peace process between the national government and FARC-EP guerrilla group. When then President Juan Manuel Santos unveiled the sculpture to the nation, he was spearheading the campaign for Colombians to approve of the peace agreement through a referendum.
In May 1994, an exhibition of Botero's works began in Madrid; by September, it had attracted two million visitors. A survey was taken by the sponsor, Caja Madrid, in which the most voted sculpture would be gifted for public exhibition in the city. Woman with Mirror was the most voted sculpture. [2]
Specifically, social hope pertains to the emotion an individual harbors for the future of society at large, extending beyond personal concerns. [10] The act of envisioning an ideal society through utopian thinking is proposed to have the capacity to evoke hope and instill the belief that the utopian dream is indeed attainable. [5]