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Pages in category "Puerto Rican reggaeton musicians" The following 105 pages are in this category, out of 105 total. This list may not reflect recent changes .
This is a list of notable reggaeton artists (musicians, singers and producers) and groups. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Dale Caliente" is a reggaeton dance song inspired by dancehall and Jamaican music, featuring backing vocals by Puerto Rican singer Glory and Jamaican artist Blacka-Nice. [19] "No Me Dejes Solo" features lead vocals by Puerto Rican duo Wisin & Yandel and backing vocals by Glory. Its sexually suggestive lyrics are about the fears of losing a ...
José Ángel Torres Castro (born March 19, 1982), [1] better known as Gocho, [2] is a Puerto Rican songwriter, singer and record producer, nicknamed "El Lápiz de Platino" (in English, The Platinum Pen). [3] In 2003, with his first hit as a producer, "Dale Don Dale" with Don Omar, Gocho was a forerunner in the commercial reggaeton movement.
Eddie Dee was born Eddie Alexander Ávila Ortiz on April 26, 1977 to his mother Diomaris Ortiz and father Eddie Ávila. He began singing and composing songs at an early age before beginning his musical career in 1990, when he started to appear on television shows.
"Yo Perreo Sola" (English: "I Twerk Alone") [2] is a song by Puerto Rican rapper Bad Bunny from his second studio album YHLQMDLG (2020), featuring uncredited vocals by Nesi. The song's music video features Bad Bunny performing in drag. [3] It won a Latin Grammy Award for Best Reggaeton Performance. [4]
Listeners may recognize Glory by her distinctive moaning sounds in many reggaeton songs. She formed part of the famed "La Industria" or DJ Eric Industry. She collaborated on some of the early underground cassettes distributed among the Puerto Rican population, which include: Street Style 1, Street Style 2, and DJ Eric Industry Volumes 1-5.
Over the course of time, the reggaeton genre gained prominence outside of Puerto Rico and despite Héctor & Tito's temporary loss of popularity due to a Christian album which didn't sell well and rap battles against Rubio y Joel and Baby Rasta & Gringo which also affected their sales; by 2002 Héctor & Tito won their lyrical battle against Rubio y Joel and regained their position as one of the ...