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Thomas Tallis, 18th-century engraving; a posthumous, invented portrait [1] by Gerard Vandergucht This is a list of compositions by the English composer Thomas Tallis (c. 1505–1585). Masses
Thomas Tallis (c. 1505 – 23 November 1585; [n 1] also Tallys or Talles) was an English composer of High Renaissance music. His compositions are primarily vocal, and he occupies a primary place in anthologies of English choral music .
Spem in alium (Latin for "Hope in any other") is a 40-part Renaissance motet by Thomas Tallis, composed in c. 1570 for eight choirs of five voices each. It is considered by some critics to be the greatest piece of English early music. H. B. Collins described it in 1929 as Tallis's "crowning achievement", along with his Lamentations. [1]
This is a list of online newspaper archives and some magazines and journals, including both free and pay wall blocked digital archives. Most are scanned from microfilm into pdf , gif or similar graphic formats and many of the graphic archives have been indexed into searchable text databases utilizing optical character recognition (OCR) technology.
Chicago Daily Telegraph, 1878–1881 (became Chicago Morning Herald) Chicago Daily Times, 1929–1948 (merged with Chicago Sun to form Chicago Sun-Times) Chicago Democrat, 1833–1861; Chicago Democratic Press, 1852–1857; Chicago Evening Mail, 1870–1875 (became Post & Mail) Chicago Evening Post, 1865–1875 (became Post & Mail)
Thomas Tallis set the first lesson, and second lesson, of Tenebrae on Maundy Thursday between 1560, and 1569: "when the practice of making musical settings of the Holy Week readings from the Book of Jeremiah enjoyed a brief and distinguished flowering in England (the practice had developed on the continent during the early 15th century)".
The United Electrical Workers union is teaming up with an art group to save a historic mural — considered one of the oldest public art pieces in the Chicago area — inside its Near West Side ...
Thomas Tallis, a prominent musician of the Chapel Royal at the time, was among the first to write sacred music in English. [ 7 ] "If Ye Love Me" is a setting for an a cappella choir of four voice parts, and it is a noted example of this Reformation compositional style, essentially homophonic [ citation needed ] but with some elaboration and ...