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Until its dissolution in 2020, Amherst-based ODT Maps Inc. was the exclusive North American publisher of Peters and Hobo–Dyer projection maps. [ 25 ] [ 26 ] [ 27 ] On April 16, 2024, Nebraska Governor Jim Pillen signed a law that requires public schools to display maps based on the Gall–Peters projection, a similar cylindrical equal-area ...
The Reliquary Effect: Enshrining the Sacred Object. London: Reaktion Books, 2017: 122–130. Hahn, Cynthia. "The Sting of Death is the Thorn, But the Circle of the Crown is Victory Over Death: The Making of the Crown of Thorns." In Saints and Sacred Matter, edited by Cynthia Hahn and Holger Klein. Washington: Dumbarton Oaks, 2014: 107–109.
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A texture map [5] [6] is an image applied (mapped) to the surface of a shape or polygon. [7] This may be a bitmap image or a procedural texture.They may be stored in common image file formats, referenced by 3D model formats or material definitions, and assembled into resource bundles.
The most famous relic is a blackened skull, displayed in a golden reliquary at the basilica of Saint-Maximin-la-Sainte-Baume, in Southern France, which has been described as "one of the most precious [relics] in all Christendom" [1] and "one of the world's most famous sets of human remains". [2]
The Monymusk Reliquary, early 8th century, National Museum of Scotland Saint Manchan's Shrine, 12th-century. House-shaped shrine (or church or tomb-shaped shrines) [1] are early medieval portable metal reliquaries formed in the shape of the roof of a rectangular building. They originate from both Ireland and Scotland and mostly date from the ...
The reliquary of the Santo Corporale is considered to be one of the most important 14th century metal works from Siena. [2] It is a gothic miniature inspired by northern European models showing the facade of the Orvieto Cathedral. The reliquary contains three vertical sections like the cathedral facade, but its typanum are much more acute.
The Reliquary Cross is a late 10th-century Anglo-Saxon ivory figure of Christ, set on an earlier Ottonian cross to make a reliquary in the form of a crucifix. It is in the Victoria and Albert Museum (V&A) in London (Cat. 7943-1862, usually on display in room 8, case 16, in the "Medieval and Renaissance" gallery).
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