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Medieval European costume generally covers clothing worn in Europe from the dawn of the Middle Ages (loosely c. 350-500 AD) to the birth of modern Western fashion around 1750. Clothing popularised c. 1750 through World War II is categorised under Category:History of clothing (Western fashion) .
Download as PDF; Printable version; In other projects ... Pages in category "Medieval costume" The following 6 pages are in this category, out of 6 total.
England, 15th century Southern Germany, c. 1530. Feather tights is the name usually given by art historians to a form of costume seen on Late Medieval depictions of angels, which shows them as if wearing a body suit with large scale-like, overlapping, downward-pointing elements representing feathers, as well as having large wings.
A history of costume. Translated by Alexander K. Dallas. New York: Dover Publications. ISBN 978-0-486-21030-8. Koslin, Désirée (2009). "Value-Added Stuffs and Shifts in Meaning: An Overview and Case-Study of Medieval Textile Paradigms". In Désirée G. Koslin; Janet E. Snyder (eds.). Encountering medieval textiles and dress: Objects, texts ...
Today, the vast majority of Romanians wear modern-style dress on most occasions, and the garments described here largely fell out of use during the 20th century. However, they can still be seen in more remote areas, on special occasions, and at ethnographic and folk events. Each historical region has its own specific variety of costumes.
The unidentified tailor in Giovanni Battista Moroni's famous portrait of c. 1570 is in doublet and lined and stuffed ("bombasted") hose.. A doublet (/ ˈ d ʌ b l ɪ t /; [1] derived from the Ital. giubbetta [2]) is a man's snug-fitting jacket that is shaped and fitted to a man's body.
The Visual History of Costume: The Sixteenth Century. 1983 edition (ISBN 0-89676-076-6), 1994 reprint (ISBN 0-7134-6828-9). Favier, Jean, Gold and Spices: The Rise of Commerce in the Middle Ages, London, Holmes and Meier, 1998, ISBN 0-8419-1232-7. Hayward, Maria: Dress at the Court of King Henry VIII, Maney Publishing, 2007, ISBN 1-904350-70-4
Alexandra Byrne (born 1962) is a British costume designer and set designer. Much of her career has focused on creating costumes for period dramas.These films include Persuasion (1995), Hamlet (1996), Elizabeth (1998), Finding Neverland (2004), The Phantom of the Opera (2004), Elizabeth: The Golden Age (2007), Mary Queen of Scots (2018), The Aeronauts (2019), and Emma.
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