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Before "makossa" as a word existed, the genre of music known as makossa today emerged in the late 20th century. [1] It was based on the currents of musical influence in the city where it was born. The term makossa was founded by Nelle Eyoum. [9] He did this when casually shouting out "kossa kossa" to children who would dance in reaction.
Makossa is a type of funky dance music, best known outside Africa for Manu Dibango, whose 1972 single "Soul Makossa" was an international hit. Outside of Africa, Dibango and makossa were only briefly popular, but the genre has produced several pan-African superstars through the 1970s, 1980s and 1990s.
Popular dance, wherein men and women dance together, is found in Cameroon's bars, nightclubs, and private parties. This style is closely tied with popular music, such as makossa, bikutsi, highlife, and hip hop. Dancing is an important avenue of social protest and political rallying in the country.
The lyrics of the song "Soul Makossa" on the record of the same name contain the word "makossa", which refers to a style of Cameroonian urban music and means "(I) dance" in Dibango's native tongue, the Cameroonian language Duala. The song has influenced popular music hits, including Kool and the Gang's "Jungle Boogie". [18]
Both Rihanna and Jackson were sued by Cameroonian musician Manu Dibango, who asserted that the hook originated in his 1972 song "Soul Makossa". "Don't Stop the Music" is a dance track that features rhythmic devices used primarily in hip hop music. Many music journalists praised the sampling of the "Mama-say, mama-sa, ma-ma-ko-ssa" hook.
"Soul Makossa" is a song by Cameroonian saxophonist and songwriter Manu Dibango, released as a single in 1972. It is the most sampled African song in history. [1] The song was originally recorded as the B-side for "Hymne de la 8e Coupe d'Afrique des Nations", a song celebrating the Cameroon national football team's accession to the quarterfinals of the Africa Cup of Nations football tournament ...
Sam Fan Thomas (born Samuel Thomas Ndonfeng, April 1952, Bafoussam, Cameroon) [1] is a Cameroonian musician associated with Makossa. He began in the late 1960s and had his first hit with "Rikiatou". His "African Typic Collection" was an international hit in 1984 and is perhaps his best known work. [2]
While working at UNESCO from 1961-74, he was able to become the head of the music department in Paris. [5] [2] [3] This job allowed him to research and document traditional African music. [6] Bebey released his first album in 1969 and would go on to release over 20 albums on Ozileka, between 1975 and 1997. [7]