Search results
Results from the WOW.Com Content Network
Opera buffa (Italian: [ˈɔːpera ˈbuffa], "comic opera"; pl.: opere buffe) is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as commedia in musica , commedia per musica , dramma bernesco , dramma comico , divertimento giocoso .
Mid 18th century form that developed out of the opera buffa, marked by the addition of serious, even tragic roles and situations to the comic ones. (Effectively a subgenre of opera buffa in the 18th century.) [7] La scuola de' gelosi (1778), La vera costanza (1779), Il viaggio a Reims (1825), Haydn, Mozart, Salieri, Sarti, Rossini, Donizetti [4]
Comic opera, sometimes known as light opera, is a sung dramatic work of a light or comic nature, usually with a happy ending and often including spoken dialogue. Forms of comic opera first developed in late 17th-century Italy. By the 1730s, a new operatic genre, opera buffa, emerged as an alternative to opera seria.
Opéra bouffe (French pronunciation: [ɔpeʁa buf], plural: opéras bouffes) is a genre of mid- to late 19th-century French operetta, closely associated with Jacques Offenbach, who produced many of them at the Théâtre des Bouffes-Parisiens, inspiring the genre's name.
Opera buffa also known as Commedia per musica (musical comedy) is a genre of opera. Subcategories This category has the following 3 subcategories, out of 3 total.
A work containing the words to an opera, musical, or ballet Melodramma: melodrama: A style of opera Opera: work: A drama set to music for singers and instrumentalists Opera buffa: humorous opera: A comic opera Opera semiseria: semi-serious opera: A variety of opera Opera seria: serious opera: An opera with a serious, esp. classical theme ...
The Barber of Seville, or The Useless Precaution (Italian: Il barbiere di Siviglia, ossia L'inutile precauzione [il barˈbjɛːre di siˈviʎʎa osˈsiːa liˈnuːtile prekautˈtsjoːne]) is an opera buffa (comic opera) in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini.
A form of rapid patter occurred in the parabasis in ancient Greek comedies. [5] The 16th-century French composer F. de Lys published a song "Secouhez moy" set in what the Grove Dictionary of Music and Musicians calls "a syllabic, patter-song manner". [6] Rapid patter numbers are heard in Italian opera of the baroque era, specifically opera buffa.