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Las 30 Cumbias Más Pegadas (English: The 30 Best Cumbias) is a compilation album featuring music from Los Angeles Azules, Los Askis, Rayito Colombiano, Grupo Latino, Grupo Maracuya, Los Llayras, Mr. Chivo, Aniceto Molina, Super Grupo G, La Tropa Vallenata, Los Vallenatos, Yahari, among others.
Antonio Rayo (born July 16, 1982), best known as Rayito, is a Spanish musician of Gitano and Japanese heritage. His father, a flamenco guitarist, taught him to play the instrument at a young age, and at the age of four years he was already giving concerts and winning television contests.
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Cumbia (Spanish pronunciation:) is a folkloric genre and dance from Colombia. [1] [2] [3]The cumbia is the most representative dance of the coastal region in Colombia, and is danced in pairs with the couple not touching one another as they display the amorous conquest of a woman by a man. [4]
The Urdu Wikipedia (Urdu: اردو ویکیپیڈیا), started in January 2004, is the Standard Urdu-language edition of Wikipedia, a free, open-content encyclopedia. [1] [2] As of 1 March 2025, it has 218,309 articles, 191,144 registered users and 7,561 files, and it is the 54th largest edition of Wikipedia by article count, and ranks 20th in terms of depth among Wikipedias with over 150,000 ...
The word "bichota" is a play-on-words, a feminine form of the Puerto Rican term "bichote". Pronounced with a slight Spanish accent; [4] specifically in the context of Puerto Rican underground culture, a "bichote" is a big-shot, a top-ranking member of a gang, a mobster, or "capo" ("boss" in Spanish).
"Soy Colombiano" is a Colombian song in the bambuco style written by Rafael Godoy. It was first recorded in 1945 by Eduardo Armani and his orchestra. In its list of the 50 best Colombian songs of all time, El Tiempo , Colombia's most widely circulated newspaper, ranked it at No. 7. [ 1 ]
Hafeez Jalandhari was unique in Urdu poetry for the enchanting melody of his voice and lilting rhythms of his songs and lyrics. His poetry generally dealt with romantic, religious, patriotic and natural themes. His language was a fine blend of Hindi and Urdu diction, reflecting the composite culture of South Asia. [3]