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The paintings depict human faces in profile made up from different animals or objects. Air is represented by birds, Fire by burning wood and cannons, Earth by land animals and Water by marine creatures. The series attempts to express the creation of harmony from chaos by the careful arrangement of the wild animals to form portraits whilst also ...
Animal-made art consists of works by non-human animals, that have been considered by humans to be artistic, including visual works, music, photography, and videography. Some of these are created naturally by animals, often as courtship displays , while others are created with human involvement.
The Dog (Spanish: El Perro) is the name usually given to a painting by Spanish artist Francisco de Goya, now in the Museo del Prado, Madrid. It shows the head of a dog gazing upwards. The dog itself is almost lost in the vastness of the rest of the image, which is empty except for a dark sloping area near the bottom of the picture: an ...
Boats du Rhône is a series of two sketches (a small one in a letter, [1] the other very large and detailed with a reed pen) and three oil paintings, listed below, created by the Dutch artist Vincent van Gogh while living in Arles, France, during August, 1888.
The simple pictorial language of Warli painting is matched by a rudimentary technique. The ritual paintings are usually created on the inside walls of village huts. The walls are made of a mixture of branches, earth and red brick that make a red ochre background for the paintings. The Warli only paint with a white pigment made from a mixture of ...
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
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A hare runs along the track in the bottom right of the painting, possibly symbolizing speed itself. [5] Some think this is a reference to the limits of technology. [2] Others believe the animal is running in fear of the new machinery and Turner meant to hint at the danger of man's new technology destroying the sublime elements of nature. [10]
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