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Così fan tutte, ossia La scuola degli amanti [a] (Women are like that, or The School for Lovers), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria.
"Méditation." For violin, piano, and organ (1852) [Based on Bach's first prelude] Version for piano solo "Valse" (1854) La jeune religieuse, by Schubert. For piano, violin, violoncello ad libitum, and Debain harmonicorde (1856) "Quintette de Cosi fan tutte," by Mozart. For violin, violoncello, organ, and piano (1856) Symphonie No. 1.
Così fan tutte (Women are like that or All women do that) [aj] Dramma giocoso 2 acts Italian Da Ponte: 3 soprano, 1 tenor, 1 baritone, 1 bass, chorus 26 January 1790 Burgtheater, Vienna K.588 Score Libretto: 1790 Der Stein der Weisen (The Philosopher's Stone) (Pasticcio composed with J. B. Henneberg, F. Gerl, B. Schack and E. Schikaneder ...
Così fan tutte is a 178-minute studio album of Wolfgang Amadeus Mozart's opera, performed by Jules Bastin, Philippe Huttenlocher, Kiri Te Kanawa, David Rendall, Frederica von Stade and Teresa Stratas with the Choeurs de l'Opéra du Rhin and the Strasbourg Philharmonic Orchestra under the direction of Alain Lombard. It was released in 1978.
A musical phrase from the act 1 trio of The Marriage of Figaro (where Basilio sings Così fan tutte le belle) was later reused by Mozart in the overture to his opera Così fan tutte. [40] Mozart also quotes Figaro's aria "Non più andrai" in the second act of his opera Don Giovanni.
The album's title is a play on words, combining the name of the Mozart Italian-language opera Così fan tutte with the name of the Italian confection tutti-frutti (also the name of a Little Richard song). The album's cover art expands this into a visual pun, with a picture of a tea cozy (cosi), a fan, and a tutti-frutti dessert.
The overture begins with a thundering D minor cadence, followed by a short misterioso sequence which leads into a light-hearted D major allegro. The garden of the Commendatore Leporello, Don Giovanni's servant, grumbles about his demanding master and daydreams about being free of him (" Notte e giorno faticar " – "Night and day I slave away").
"Rivolgete a lui lo sguardo", K. 584, is a concert aria by Wolfgang Amadeus Mozart for solo bass and orchestra conceived for the role of Guglielmo the opera Così fan tutte but replaced by "Non siate ritrosi". [1] It is considered one of the outstanding opera buffa arias for the bass voice. [2] [3] The text of this aria is by Lorenzo Da Ponte.