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Così fan tutte, ossia La scuola degli amanti [a] (Women are like that, or The School for Lovers), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria.
"Méditation." For violin, piano, and organ (1852) [Based on Bach's first prelude] Version for piano solo "Valse" (1854) La jeune religieuse, by Schubert. For piano, violin, violoncello ad libitum, and Debain harmonicorde (1856) "Quintette de Cosi fan tutte," by Mozart. For violin, violoncello, organ, and piano (1856) Symphonie No. 1.
Così fan tutte (Women are like that or All women do that) [aj] Dramma giocoso 2 acts Italian Da Ponte: 3 soprano, 1 tenor, 1 baritone, 1 bass, chorus 26 January 1790 Burgtheater, Vienna K.588 Score Libretto: 1790 Der Stein der Weisen (The Philosopher's Stone) (Pasticcio composed with J. B. Henneberg, F. Gerl, B. Schack and E. Schikaneder ...
Wolfgang Amadeus Mozart [a] [b] (27 January 1756 – 5 December 1791) was a prolific and influential composer of the Classical period.Despite his short life, his rapid pace of composition and proficiency from an early age resulted in more than 800 works representing virtually every Western classical genre of his time.
Così fan tutte is a 178-minute studio album of Wolfgang Amadeus Mozart's opera, performed by Jules Bastin, Philippe Huttenlocher, Kiri Te Kanawa, David Rendall, Frederica von Stade and Teresa Stratas with the Choeurs de l'Opéra du Rhin and the Strasbourg Philharmonic Orchestra under the direction of Alain Lombard. It was released in 1978.
12 Variations in E ♭ major on the French song "La belle Françoise", K. 353 (Vienna, 1781) 12 Variations in E♭ major on the Romance "Je suis Lindor" from " Le Barbier de Seville " by Pierre Beaumarchais , music by Antoine-Laurent Baudron , K. 354 (Paris, 1778)
The Magic Flute appears to have two references to the music of Antonio Salieri. The first is that the Papageno–Papagena duet is similar to the Cucuzze cavatina in Salieri's Prima la musica e poi le parole. Both are centred around musical-textual playfulness with humorous bird-like utterances of pseudo-Italian words. [5]
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