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Linear or point-projection perspective (from Latin perspicere ' to see through ') is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. [ citation needed ] [ dubious – discuss ] Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen ...
When the set of parallel lines is perpendicular to a picture plane, the construction is known as one-point perspective, and their vanishing point corresponds to the oculus, or "eye point", from which the image should be viewed for correct perspective geometry. [1] Traditional linear drawings use objects with one to three sets of parallels ...
A bird's-eye view is an elevated view of an object or location from a very steep viewing angle, creating a perspective as if the observer were a bird in flight looking downward. Bird's-eye views can be an aerial photograph, but also a drawing, and are often used in the making of blueprints, floor plans and maps. [1]
(One caution: in common speech, the words perspective and viewpoint tend to be used interchangeably; however, in art, aerial perspective does not imply an aerial viewpoint, such as that forming the basis of the aerial landscape genre. The example by Frans Koppelaar pictured here shows the difference. This landscape is a good example of aerial ...
Spring Fresco, Minoan painting from Akrotiri, 1600–1500 BCE Zhan Ziqian, Strolling About in Spring, a very early Chinese landscape, c. 600. The earliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included.
Pictorial maps (also known as illustrated maps, panoramic maps, perspective maps, bird's-eye view maps, and geopictorial maps) depict a given territory with a more artistic rather than technical style. [1] It is a type of map in contrast to road map, atlas, or topographic map.
Composition and space: Mannerist artists rejected the ideals of the Renaissance, notably the technique of one-point perspective. Instead, there was an emphasis on atmospheric effects and distortion of perspective. The use of space in Mannerist works instead privileged crowded compositions with various forms and figures or scant compositions ...
Plans are usually "scale drawings", meaning that the plans are drawn at a specific ratio relative to the actual size of the place or object. Various scales may be used for different drawings in a set. For example, a floor plan may be drawn at 1:48 (or 1/4"=1'-0") whereas a detailed view may be drawn at 1:24 (or 1/2"=1'-0").