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There is a strong link between Sotho music and Sotho poetry. A Sesotho praise poet characteristically uses assonance and alliteration. Eloquence or ‘bokheleke’ is highly valued in the sotho culture and people who possess this skill are respected. The praise poetry (dithoko) is not a musical form but, it is incorporated in most Sesotho songs ...
Christ, our God, to Thee we raise This our Sacrifice of Praise. For the beauty of each hour Of the day and of the night, Hill and vale, and tree and flower, Sun and moon and stars of light: Christ, our God, to Thee we raise This our Sacrifice of Praise. For the joy of ear and eye, For the heart and brain's delight, For the mystic harmony
Poems on Various Subjects, Religious and Moral by Phillis Wheatley, Negro Servant to Mr. John Wheatley, of Boston, in New England (published 1 September 1773) is a collection of 39 poems written by Phillis Wheatley, the first professional African-American woman poet in America and the first African-American woman whose writings were published.
Salve Deus Rex Judaeorum (Latin: Hail, God, King of the Jews) is a volume of poems by English poet Emilia Lanier published in 1611. It was the first book of original poetry published by a woman in England. It was also the first book of poetry written by an English woman in an effort to attract a patron. [1]
The Song of Hannah is a poem interpreting the prose text of the Books of Samuel. According to the surrounding narrative, the poem (1 Samuel 2:1–10) was a prayer delivered by Hannah, to give thanks to God for the birth of her son, Samuel. It is similar to Psalm 113 [1] and the Magnificat. [2]
Praising gods and mortals has traditionally been the focus for singers and the most engaging for audiences, whether the tone is persuasive or controversial. Nigerian politicians often hire well-known singers to elaborate on their heritage. [9] Today, Nigerian Christians and Muslims use oriki to praise sing for the Abrahamic god. [10]
The Great Hymn to the Aten is the longest of a number of hymn-poems written to the sun-disk deity Aten. Composed in the middle of the 14th century BC, it is varyingly attributed to the 18th Dynasty Pharaoh Akhenaten or his courtiers, depending on the version, who radically changed traditional forms of Egyptian religion by replacing them with ...
"The Woodland Mass" resembles several other poems by Dafydd in presenting woodland creatures and other natural objects as human figures, [20] or in showing them praising God. [21] Its use of religious language to describe secular matters can be paralleled in other poems of Dafydd's, [ 22 ] and also more widely in works that have been attributed ...