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Locus amoenus (Latin for "pleasant place") is a literary topos involving an idealized place of safety or comfort. A locus amoenus is usually a beautiful, shady lawn or open woodland, or a group of idyllic islands, sometimes with connotations of Eden or Elysium .
¿Y Tu Abuela Donde Esta? ( ¿Y tu agüela, aonde ejtá? in the Puerto Rican dialect) is a poem by Puerto Rican poet Fortunato Vizcarrondo [ 1 ] [ 2 ] (1899 – 1977), [ 3 ] which has been recorded both as songs and as poetry by many Latin American artists, most notably the puerto rican artist Juan Boria.
The locus amoenus: the strophes that come after strophe 52 of Canto IX, and some of the main parts that appear from strophe 68 to 95 describe the scenery where the love encountered between the sailors and the Nymphs take place. The poet also talks about the fauna that live there and of fruits produced instantly.
the locus amoenus (for example, the imaginary world of Arcadia) and the locus horridus (for example, Dante's Inferno); the idyll; cemetery poetry (see the Spoon River Anthology); love and death (in Greek, eros and thanatos), love as disease and love as death, (see the character of Dido in Virgil's Aeneid);
Scholars have compared Alcinous' garden and the island of Calypso; both are a locus amoenus with fresh springs and fruit trees. [2] Some differences are noted; Calypso's garden is lush and endowed with a supernatural aesthetic beauty, while Alcinous' garden is simple and productive.
The Annunciation - Convent of San Marco, Florence. The term hortus conclusus is derived from the Vulgate Bible's Canticle of Canticles (also called the Song of Songs or Song of Solomon) 4:12, in Latin: "Hortus conclusus soror mea, sponsa, hortus conclusus, fons signatus" ("A garden enclosed is my sister, my spouse; a garden enclosed, a fountain sealed up.") [6] This provided the shared ...
Cockaigne or Cockayne (/ k ɒ ˈ k eɪ n /) is a land of plenty in medieval myth, an imaginary place of luxury and ease, comfort and pleasure, opposite to the harshness of medieval peasant life. [1]
Roussel, in writing his novel Locus Solus and elsewhere, used a technique that involved putting together in different contexts words that sound similar. The result produces unexpected and even irrational new meanings, and is a bit similar to van Rooten’s technique when he wrote Mots d'Heures: Gousses, Rames .