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"Love Her Madly" is a song by American rock band the Doors. It was released in March 1971 and was the first single from L.A. Woman , their final album with singer Jim Morrison . "Love Her Madly" became one of the highest-charting hits for the Doors; it peaked at number eleven on the Billboard Hot 100 singles chart and reached number three in ...
L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971, by Elektra Records.It is the last to feature lead singer Jim Morrison during his lifetime, due to his death exactly two months and two weeks following the album's release, though he would posthumously appear on the 1978 album An American Prayer.
"L.A. Woman" has been viewed as Morrison's "final goodbye" to Los Angeles, before his move to Paris, France. [10] The song's lyrics draw inspiration from John Rechy's transgressive novel City of Night, published in 1963, [11] [12] while its title is expressed as a metaphor, personifying L.A. (Los Angeles) as a woman. [4]
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"Riders on the Storm" has been classified as a psychedelic rock, [8] jazz rock, [9] [10] art rock song, [11] and a precursor of gothic music. [12] [13] According to guitarist Robby Krieger and keyboardist Ray Manzarek, it was inspired by the country song "(Ghost) Riders in the Sky: A Cowboy Legend", written by Stan Jones and popularized by Vaughn Monroe. [14]
"Love Me Two Times" is a song by the American rock band the Doors. First appearing on their second studio album Strange Days, it was later edited to a 2:37 length and released as the second single (after "People Are Strange") from that album. The single reached number 25 on the charts in the United States. [1]
"People Are Strange" is a song by the American rock band the Doors. It appears on the band's second studio album, Strange Days, released in September 1967.The song was written by the Doors' vocalist Jim Morrison and guitarist Robby Krieger, although all of the band are credited on the sleeve notes.
"Back Door Man" is a blues song written by American musician Willie Dixon and recorded by Howlin' Wolf in 1960. The lyrics draw on a Southern U.S. cultural term for an extramarital affair.