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A recorder designed for German fingering has a hole five that is smaller than hole four, whereas baroque and neo-baroque recorders have a hole four that is smaller than hole five. The immediate difference in fingering is for F (soprano) or B ♭ (alto), which on a neo-baroque instrument must be fingered 0 123 4–67.
The soprano recorder in C, also known as the descant, is the third-smallest instrument of the modern recorder family and is usually played as the highest voice in four-part ensembles (SATB = soprano, alto, tenor, bass). Since its finger spacing is relatively small, it is often used in music education for children first learning to play an ...
The alto recorder in F, also known as a treble (and, historically, as consort flute and common flute) is a member of the recorder family. Up until the 17th century the alto instrument was normally in G 4 instead of F 4. [1] [2] Its standard range is F 4 to G 6. The alto is between the soprano and tenor in size, and is correspondingly ...
The term false fingering is used in instruments such as woodwinds, brass, and stringed instruments where different fingerings can produce the same note, but where the timbre or tone quality is distinctly different from each other. If the tone quality is not distinctly different between the two notes, the term alternate fingering is often used ...
Classical guitar techniques can be organized broadly into subsections for the right hand, the left hand, and miscellaneous techniques. In guitar, performance elements such as musical dynamics (loudness or softness) and tonal/timbral variation are mostly determined by the hand that physically produces the sound. In other words, the hand that ...
William "Bill" G. Leavitt (October 4, 1926 – November 4, 1990) was an American jazz guitarist and arranger best known for his long series of guitar instruction books and for developing a related curriculum at Berklee College of Music as chair of the guitar department.
The article says that Renaissance-design recorders have a wider range than Baroque ones based on the Ganassi fingerings, but my understanding is that those higher fingerings were probably experimental and not very musical, and that very little of the recorder music from the period (including Ganassi's in that same manual) actually go beyond an ...
More elaborate musical ornamentation, as well as changes in musical notation and advances in the way instruments were played also appeared. Baroque music would see an expansion in the size, range and complexity of performance, as well as increasingly complex forms. Main composers for the baroque guitar: Francesco Corbetta (1615–1681)
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