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Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
McNeil, W. K., ed. Encyclopedia of American Gospel Music. Routledge, 2005. ISBN 0-415-94179-2. Marovich, Robert M., A City Called Heaven: Chicago and the Birth of Gospel Music. Urbana: University of Illinois Press, 2015. ISBN 978-0252080692. Mungons, Kevin and Douglas Yeo, Homer Rodeheaver and the Rise of the Gospel Music Industry.
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
American spiritual music is over 400 years old, McCorvey said. "It is the folk songs of the enslaved people." When the first enslaved people forcibly came to these shores in 1619, they were "not ...
The Primitive Hymns, Spiritual Songs and Sacred Poems Regularly Selected, Classified and Set in Order (1858) [569] The Baptist Hymn Book: comprising a large and choice collection of psalms, hymns and spiritual songs (1859) [570] The Primitive Baptist Hymnal: a choice collection of hymns and tunes of early and late composition (1881) [571]
This is a list of Christian worship music artists or bands. This list includes notable artists or bands that have recorded or been known to perform contemporary worship music at some point in their careers. This includes worship leaders, Christian songwriters, and contemporary Christian music artists. It is not a list of contemporary Christian ...
What most African Americans would identify today as "gospel" began in the early 20th century. The gospel music that Thomas A. Dorsey, Sallie Martin, Willie Mae Ford Smith and other pioneers popularized had its roots in the blues as well as in the more freewheeling forms of religious devotion of "Sanctified" or "Holiness" churches—sometimes called "holy rollers" by other denominations — who ...
Slave Songs of the United States, title page Michael Row the Boat Ashore Nobody Knows the Trouble I've Seen. Slave Songs of the United States was a collection of African American music consisting of 136 songs. Published in 1867, it was the first, and most influential, [1] [2] collection of spirituals to be published.
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