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A Harvest of Death, 1863.. A Harvest of Death is the title of a photograph taken by Timothy H. O'Sullivan, sometime between July 4 and 7, 1863.It shows the bodies of soldiers killed at the Battle of Gettysburg during the American Civil War, stretched out over part of the battlefield.
Amos Humiston (April 26, 1830 – July 1, 1863) was a Union soldier who died at the Battle of Gettysburg during the American Civil War.A photograph of his children that was found with his body led to his identification when it was described in newspapers across the country.
A Harvest of Death: Union dead on the battlefield at Gettysburg, Pennsylvania, photographed July 5 or July 6, 1863, by Timothy H. O'Sullivan Gettysburg National Cemetery, July 2003 John L. Burns, veteran of the War of 1812, civilian who fought at the Battle of Gettysburg with Union troops.
Early Photography at Gettysburg. Gettysburg, PA: Thomas Publications, 1995. ISBN 1-57747-032-X. Biography of Timothy H. O'Sullivan from The Getty Museum; The Life of Timothy H. O'Sullivan from the Tucson Weekly, March 31, 2003, by Margaret Regan. Accessed July 29, 2010. Trachtenberg A. (1990), Reading American Photographs, New York: Hill & Wang
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Gettysburg National Cemetery is a United States national cemetery in Gettysburg, Pennsylvania, created for Union casualties from the Battle of Gettysburg in the American Civil War. The Battle of Gettysburg, which was fought between July 1 to 3, 1863, resulted in the largest number of casualties of any Civil War battle but also was considered ...
Recent scholarship strongly suggests that the photo was staged for dramatic effect with a body recovered elsewhere). Version 2. Restored using photoshop. This is a historic picture that is depicting a small portion of the bloodiest battle in the American Civil War. It meets the size requirement by more than triple.
[12] [13] In 1961, Frederic Ray of the Civil War Times magazine compared several of Gardner's Gettysburg photos showing "two" dead Confederate snipers and realized that the same body had been photographed in two separate locations. One of his most famous images, Home of a Rebel Sharpshooter, has been argued to be a fabrication. [14]