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"More Than Words" is a song by American rock band Extreme. It is a ballad featuring acoustic guitar work by Nuno Bettencourt and the vocals of Gary Cherone (with harmony vocals from Bettencourt). They both wrote the song, which was produced by Michael Wagener and represented a departure from the band's usual funk metal style. [4] "
The title song "More Than Words" was used as the theme song for animated series, Code Geass: Akito the Exiled. As a single, Yuho Iwasato and Yoko Kanno tag together since "tune the rainbow". After this work, the jacket design was handled by Yutaka Kimura. It asw released in two editions, a first press limited edition and a regular edition.
"More Than Words Can Say" (also known as "(I Need You Now) More Than Words Can Say" for promotional purposes) is a song by Canadian rock band Alias. It was released in September 1990 as the second single from their debut eponymous album. The power ballad became a No. 2 hit in the United States and reached No. 1 in Canada for four weeks. [2]
According to authors HP Newquist and Pete Prown, the album has "a bewildering array of song styles—heavy metal, ballads, funk, etc.". [8] The title track, as well as "More than Words" and "It('s a Monster)", have been played live since at least early April 1989, and date back to shortly after the band's self-titled debut was released. [9]
"More than This" is a song by the English rock band Roxy Music. It was released in March 1982 as the first single from their eighth and final studio album, Avalon (1982). ). "More than This" was the group's last top-10 UK hit, peaking at No. 6 on the UK Singles Chart, and also charted in the United States, reaching No. 58 on the Billboard Rock Top Tracks
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The music video for "You Don't Love Me Anymore" was directed by Yankovic's long-time collaborator and manager Jay Levey. [8] Filmed at the Charlie Chaplin Studios in Los Angeles, it is a parody of the music video for "More Than Words" by American rock band Extreme and a follow-up on the video of "Smells Like Nirvana". [8]
Despite her deepest fears, Joseph came home from his two combat tours at age 22, physically sound. But the demons of his moral injuries followed close behind and eventually closed in on him. It turned out, she realized too late, that coming home was more dangerous than being at war. “It wasn’t Afghanistan where he died,” she reminded me.