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Christian Forshaw was born in Knaresborough, [1] Yorkshire [2] and graduated from the Guildhall School of Music & Drama in 1995 with distinction. [ 3 ] [ 4 ] He then began working with some of the world’s finest ensembles including the London Sinfonietta , the Chamber Orchestra of Europe, the Royal Liverpool Philharmonic Orchestra and the ...
Hard for tenor saxophone solo (1988)—Christian Lauba; Sequenza VIIb for Soprano Saxophone (adaptation by Claude Delangle in 1993) [68] [69] —Luciano Berio; Melodies for Saxophone (1995)—Philip Glass; Steady Study on the Boogie (1995)—Christian Lauba; Nine Études for Saxophones in 4 books (1996)—Christian Lauba
This is a list of new-age music artists with articles on Wikipedia. New-age music is broadly defined as relaxing, even "meditative", music that is primarily instrumental. Unlike relaxing forms of classical music, new-age music makes greater use of electronica and non-Western instrumentation.
2 Corinthians 12:10 “Therefore, I’m all right with weaknesses, insults, disasters, harassments, and stressful situations for the sake of Christ, because when I’m weak, then I’m strong.”
Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving ...
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
LongGone is an album by Joshua Redman's quartet, consisting of himself on saxophone, Brad Mehldau on piano, Christian McBride on bass, and Brian Blade on drums. [9] [10] This is the quartet's third release after MoodSwing in 1994 and RoundAgain in 2020. [11]
Since the 1950s, sacred and liturgical music has been performed and recorded by many jazz composers and musicians, [4] [1] combining black gospel music and jazz to produce "sacred jazz", similar in religious intent, but differing in gospel's lack of extended instrumental passages, instrumental improvisation, hymn-like structure, and concern ...
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