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Japanese vowels are sometimes phonetically voiceless. There is no phonemic contrast between voiced and voiceless versions of a vowel, but the use of voiceless vowels is often described as an obligatory feature of standard Tokyo Japanese, in that it sounds unnatural to use a voiced vowel in positions where devoicing is usual. [199]
List of languages Language Language family Phonemes Notes Ref Total Consonants Vowels, tones and stress Arabic (Standard): Afroasiatic: 34: 28 6 Modern spoken dialects might have a different number of phonemes; for exmple the long vowels /eː/ and /oː/ are phonemic in most Mashriqi dialects.
This is the pronunciation key for IPA transcriptions of Japanese on Wikipedia. It provides a set of symbols to represent the pronunciation of Japanese in Wikipedia articles, and example words that illustrate the sounds that correspond to them.
Different languages vary considerably in the number of phonemes they have in their systems (although apparent variation may sometimes result from the different approaches taken by the linguists doing the analysis). The total phonemic inventory in languages varies from as few as 9–11 in Pirahã and 11 in Rotokas to as many as 141 in ǃXũ.
A short introduction on the general aspects of the language, major dialects and what makes it unique in terms of sound inventory, phonotactics, etc. Use of the International Phonetic Alphabet is encouraged. (Standard transliteration schemes like SAMPA are OK but not preferred.) Surround phonemic/phonetic symbols with the IPA template, like this:
A variety of musical scales are used in traditional Japanese music. While the Chinese Shí-èr-lǜ has influenced Japanese music since the Heian period, in practice Japanese traditional music is often based on pentatonic (five tone) or heptatonic (seven tone) scales. [1] In some instances, harmonic minor is used, while the melodic minor is ...
Japanese is an agglutinative, synthetic, mora-timed language with simple phonotactics, a pure vowel system, phonemic vowel and consonant length, and a lexically significant pitch-accent. Word order is normally subject–object–verb with particles marking the grammatical function of words, and sentence structure is topic–comment.
The ritsu scale is the voice of the male phoenix, yang, being, the voice that ascends from above and is inhaled breath, emerging from the ki while the ryo scale is the voice of the female phoenix, yin, nothingness, the voice that ascends from below and is exhaled breath, emerging from the breath; probably indicating that ritsu is vertical and ryo is horizontal.