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The brushes produced by Kuretake Sumi were designed for sumi-e, or inkwash painting. In 1965, Kuretake Industries Co., Ltd. was established as a plant specializing in the production of writing instruments while Tokyo office was established. [3] In 1986, a subsidiary, "Kuretake U.K. Ltd." was established in the West Midlands, England. [3]
Sumizuri-e is a type of monochromatic woodblock printing that uses only black ink. It is one of the earliest forms of Japanese woodblock printing , dating back to the Nara period (710 – 794). Sumi-e translates to “ink wash painting,” which is a type of East Asian brush painting technique that uses black ink.
A small wolf-hair brush that is tapered to a fine point can deliver an even thin line of ink (much like a pen). A large wool brush (one variation called the 'big cloud') can hold a large volume of water and ink. When the big cloud brush rains down upon the paper, it delivers a graded swath of ink encompassing myriad shades of gray to black. [2 ...
Also spelled Sumi-e (墨絵, Ink wash painting). Hake : An Asian style of brush with a large broad wooden handle and an extremely fine soft hair used in counterpoint to traditional Sumi brushes for covering large areas. Often made of goat hair. Spotter: Round brushes with just a few short bristles. These brushes are commonly used in spotting ...
Drawing ensō is a disciplined-creative practice of Japanese ink painting, sumi-e. The tools and mechanics of drawing the ensō are the same as those used in traditional Japanese calligraphy: One uses an ink brush to apply ink to washi (a thin Japanese paper). The circle may be open or closed.
Koho Yamamoto (born April 14, 1922) is an American artist known for her artistry in Sumi-e, a style of Japanese brushwork using black ink. She is also a poet, calligrapher, and a teacher. [1] [2] She uses her experiences from the American concentration camps to create beautiful abstract art.
Michael Hofmann is an artist and teacher. He has been an active sumi-e painter since moving from the United States to Japan in 1972. For 33 years Hofmann worked closely with Jikihara Gyokusei [] (1904-2005), the prominent sumi-e painter, Abbot of Kokusei-ji Temple, Awajishima and Director of Japan's National Association of Nanga Painters.
Kataoka's art work spans various materials and practices including brainwave installations, sculptural works such as her "magic boxes" and "membranes," sumi-e brush work art, and paintings. [7] Kataoka's early works were in the canon of Sumi-e. However, early on she started experimenting with depicting modern subject matter such as sports ...
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