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International Klein Blue (IKB) is a deep blue hue first mixed by the French artist Yves Klein. IKB's visual impact comes from its heavy reliance on ultramarine , as well as Klein's often thick and textured application of paint to canvas .
He was a leading member of the French artistic movement of Nouveau réalisme founded in 1960 by art critic Pierre Restany. Klein was a pioneer in the development of performance art, and is seen as an inspiration to and as a forerunner of minimal art, as well as pop art. He is known for the development and use of International Klein Blue.
IKB 79 is a painting by French artist Yves Klein, made in 1959. It is one of his monochrome series of around 200. It uses a shade of blue that he developed, International Klein Blue, based on the pigment ultramarine. The painting has the dimensions of 139.7 by 119.7 cm. It is held at the Tate Modern, in London. [1] [2]
Klein in his final years had assembled a group of three colours who were more significant to him, blue, more exactly his own International Klein Blue, gold and pink. This trilogy could be interpreted as having a religious symbology, similar to the Christian concept of the Trinity. He created several paintings using each one of these three colours.
Hiroshima is one of Klein's famous anthropometries, where he wanted to pay tribute to the victims of this tragic event. His anthropometries feature naked women covered in his own International Klein Blue and whose bodily imprints affixed to a canvas would create the final works.
Klein stated that he conceived the idea for the work in 1947 (as written on the score) or 1949 (in interviews and texts). [4] In the first public performance in 1960, three naked models on stage were painted with International Klein Blue body paint during the performance, and left imprints of their bodies on canvas. [2] [4]
ANT 82, Blue Age Anthropometry (original French title ANT 82, Anthropométrie de l'époque bleue) is a painting by French artist Yves Klein, created in 1960. Purchased in 1984, this work is part of the collection of the Musée National d'Art Moderne , in Paris .
Yves Klein started painting blue monochrome works in 1955. He had started talking about International Klein Blue (IKB) around 1957 or early 1958 and patented the actual process of making the paint itself in 1960. In essence, IKB is a slab of ultramarine pigment suspended in a clear commercial binder, Rhodopas.
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