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For loudness compensation to work correctly the playback system must also accurately assume what volume level was used in mastering. For movie soundtracks this reference volume level is an industry standard [ 4 ] and can be used by manufacturers to provide a loudness feature that works with a reasonable degree of accuracy.
Liberty Mutual created a 2006 television commercial depicting people doing good for others, reporting that the "overwhelming" positive response led to its decision to create the website The Responsibility Project. [18] Liberty Mutual is the sole corporate sponsor of the long-running PBS documentary series American Experience.
The L pad attenuates the signal by having two separate rheostats connected in an "L" configuration (hence the name). One rheostat is connected in series with the loudspeaker and, as the resistance of this rheostat increases, less power is coupled into the loudspeaker and the loudness of sound produced by the loudspeaker decreases.
The only control common to all Leslie speakers is a dial that controls the master volume. This is normally set up once and then left, since the organ's expression pedal normally controls the volume. Leslie recommended playing the organ at full volume with all stops (drawbars) pulled out and adjusting the volume just before distortion occurs. [13]
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Constant-voltage speaker systems are also commonly referred to as 25-, 70-, 70.7-, 100 or 210-volt speaker systems; distributed speaker systems; or high-impedance speaker systems. In Canada and the US, they are most commonly referred to as 70-volt speakers. In Europe, the 100 V system is the most widespread, with amplifier and speaker products ...
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During the late 1920s to mid-1930s, small portable PA systems and guitar combo amplifiers were fairly similar. These early amps had a "single volume control and one or two input jacks, field coil speakers" and thin wooden cabinets; remarkably, these early amps did not have tone controls or even an on-off switch. [14]