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4′33″[ a ] is a modernist composition [ b ] by American experimental composer John Cage. It was composed in 1952 for any instrument or combination of instruments; the score instructs performers not to play their instruments throughout the three movements. It is divided into three movements, [ c ] lasting 30 seconds, two minutes and 23 ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details ...
A rest is the absence of a sound for a defined period of time in music, or one of the musical notation signs used to indicate that. The length of a rest corresponds with that of a particular note value, thus indicating how long the silence should last. Each type of rest is named for the note value it corresponds with (e.g. quarter note and ...
Caesura. A caesura (/ sɪˈzjʊərə /, pl. caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a metrical pause or break in a verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a tick ( ), or two lines, either slashed (//) or upright (||). In time value, this break may vary ...
piano 1896: 16: Six Moments Musicaux: piano No. 1 Andantino in B ♭ minor: No. 2 Allegretto in E ♭ minor: No. 3 Andante cantabile in B minor: No. 4 Presto in E minor: No. 5 Adagio sostenuto in D ♭ major: No. 6 Maestoso in C major: 1896: Transcription of Glazunov: Symphony No. 6: piano duet 1899: Morceau de Fantaisie in G minor: piano 1899 ...
Hymn-style arrangement of "Adeste Fideles" in standard two-staff format (bass staff and treble staff) for mixed voices Tibetan musical score from the 19th century. Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece.
Performed by Romuald Greiss on an 1850 Budynowicz piano. Problems playing this file? See media help. " La campanella " (Italian for "The little bell") is the subtitle given to the third of Franz Liszt 's six Grandes études de Paganini, S. 141 (1851). It is in the key of G-sharp minor.
Three Concert Études. Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today. [1]
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