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WKGL-FM (96.7 MHz "96.7 The Eagle") is a radio station serving the Rockford, Illinois, area with a classic rock format. It is under ownership of Townsquare Media.Prior to being WKGL-FM, the station had an oldies format as WKMQ-FM and a country format as WLUV-FM.
96.7 the Eagle may refer to WKGL broadcasting to Rockford, Illinois; WMJT broadcasting to northern Michigan This page was last edited on 28 ...
KSEG (96.9 MHz "The Eagle") is a commercial FM radio station in Sacramento, California. It airs a classic rock radio format and is owned by Audacy, Inc. The studios and offices are located on Madison Avenue in North Highlands (with a Sacramento address). [2] KSEG is co-owned with five other Sacramento Audacy radio stations.
WXOF (96.7 MHz) is a commercial FM radio station licensed to Yankeetown, Florida.The station is owned by WGUL-FM, Inc. [2] It airs a classic rock radio format.It sometimes describes itself on the air as "classic hits" but it plays popular classic rock tracks from the 1970s and 80s, with no pop or dance songs.
KCAL-FM (96.7 FM) is a commercial radio station licensed to Redlands, California, and broadcasting to the Inland Empire. The station is owned by Anaheim Broadcasting and airs an active rock format. The station's studios are on Orange Tree Lane in Redlands. KCAL-FM is a Class A station.
WMHH (96.7 MHz) is a Christian talk and teaching radio station licensed to Clifton Park, New York, and serving New York's Capital District, including Albany, Schenectady and Troy. The station is owned by Mars Hill Broadcasting, utilizing programming from the Mars Hill Network.
KWMX (96.7 FM, "96.7 The Wolf") is a radio station licensed to Williams, Arizona and serving the Flagstaff–Prescott, Arizona area. Owned by Stone Canyon Media Group, the station broadcasts a classic rock format.
On August 27, WQCM changed their format from album-oriented rock to rhythmic contemporary, branded as "Wild 96-7", and changed its call sign to WDLD. [ 6 ] [ 7 ] On November 1, 2018, WDLD rebranded from Wild 96-7 to Live 96-7 , seguing from rhythmic contemporary to a mainstream CHR format while retaining as a rhythmic top 40 station.