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The painting was discovered in a private collection in 1959. The early Caravaggio biographer Giovanni Bellori, writing in 1673, mentions a Salome with the Head of John the Baptist sent by the artist to the Grand Master of the Knights of Malta in the hope of regaining favour after having been expelled from the Order in 1608.
Salome with the Head of John the Baptist (Madrid), c. 1609, is a painting by the Italian master Caravaggio in the Royal Collections Gallery, Madrid. [1]The early Caravaggio biographer Giovanni Bellori, writing in 1672, records the artist sending a Salome with the Head of John the Baptist from Naples to the Grand Master of the Knights of Malta, Fra Alof de Wignacourt, in the hope of regaining ...
The Martyrdom of Saint John the Baptist, Bernard van Orley, c. 1514–1515, Metropolitan Museum of Art; Salome with the Head of John the Baptist, Titian, c. 1515; Head of John the Baptist, Hans Baldung Grien, 1516, National Gallery of Art; Salome with the Head of John the Baptist, Jacob Cornelisz van Oostsanen, Rijksmuseum, Amsterdam
When Caravaggio was defrocked in absentia as a "foul and rotten member" by the Order about six months after his induction, the ceremony took place in the Oratory, before this very painting. [6] [12] Salome with the Head of John the Baptist, Caravaggio (Madrid) Caravaggio did several pieces depicting the moments after the event depicted here.
Salome (Henry Ossawa Tanner) Salomé (Moretto) Salome (Stuck) Salome Dancing before Herod; Salome Receives the Head of John the Baptist; Salome with the Head of John the Baptist (Luini) Salome with the Head of John the Baptist (Stom) Salome with the Head of John the Baptist (Caravaggio, London) Salome with the Head of John the Baptist ...
Madonna and Child with St John the Baptist and St Catherine of Alexandria (Perugino) Madonna and Child with St John the Baptist and St Catherine of Alexandria (Previtali) Madonna and Child with St. John the Baptist and St. Mary Magdalene; Madonna and Child with the Infant John the Baptist (Correggio, Madrid)
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Caravaggio's decision to paint John the Baptist as a youth was somewhat unusual for the age: the saint was traditionally shown as either an infant, together with the infant Jesus and possibly his own and Jesus's mother, or as an adult, frequently in the act of baptising Jesus. Nevertheless, it was not totally without precedent.