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The three verses of the song describe in turn, a crowd cheering Jesus Christ's triumphal entry into Jerusalem on Palm Sunday, Jesus's crucifixion on Good Friday, and the eventual "New Jerusalem" (Zion) of universal peace and brotherhood, which is foretold in Isaiah 2:4 [2] and Isaiah 11:6-9. [3]
There are many songs about Jerusalem from various time periods, especially nationalistically-themed songs from the time of the Six-Day War, when East Jerusalem passed from Jordanian control to Israeli. Additionally many Biblical Psalms, styled as songs, were written specifically about Jerusalem. Jewish liturgy and hymns are rife with references ...
The first of Weatherly's well-known works was the hymn "The Holy City", written in 1892 to music by the British composer Stephen Adams. The song includes the refrain "Jerusalem, Jerusalem!". He wrote the song "Danny Boy" while living in Bath in 1910, but it did not meet with much success.
In paradisum deducant te angeli; in tuo adventu suscipiant te martyres, et perducant te in civitatem sanctam Jerusalem. Chorus angelorum te suscipiat, et cum Lazaro quondam paupere æternam habeas requiem. "May the angels lead you into paradise; may the martyrs receive you at your arrival and lead you to the holy city Jerusalem.
David D'Or (Hebrew: דוד ד'אור; born David Nehaisi on October 2, 1965) is an Israeli singer, composer, and songwriter. A countertenor with a vocal range of more than four octaves, he is a three-time winner of the Israeli "Singer of the Year" and "Best Vocal Performer" awards. [1]
Sancta Civitas (The Holy City) is an oratorio by Ralph Vaughan Williams. Written between 1923 and 1925, it was his first major work since the Mass in G minor two years previously. Vaughan Williams began working on the piece from a rented furnished house in the village of Danbury, Essex, found for him by his former pupil, Cecil Armstrong Gibbs. [1]
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These include the Jerusalem Symphony Orchestra, [67] which is supported by the state radio and television authority; the Rishon LeZion Orchestra, [68] and the Camerata Orchestra. One of the motivations for creating these orchestras was to provide employment for Russian immigrant musicians, who arrived in Israel with a high professional level ...