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"Porphyria's Lover" is a poem by Robert Browning which was first published as "Porphyria" in the January 1836 issue of Monthly Repository. [1] Browning later republished it in Dramatic Lyrics (1842) paired with "Johannes Agricola in Meditation" under the title "Madhouse Cells". The poem did not receive its definitive title until 1863.
Dramatic Lyrics is a collection of English poems by Robert Browning, first published in 1842 [1] as the third volume in a series of self-published books entitled Bells and Pomegranates.
The book tells the story of a murder trial in Rome, Papal States in 1698, whereby an impoverished nobleman, Count Guido Franceschini, is found guilty of the murders of his young wife Pompilia (née Comparini) and her parents, having suspected his wife was having an affair with a young cleric, Giuseppe Caponsacchi.
"Johannes Agricola in Meditation" (1836) is an early dramatic monologue by Robert Browning. [1] The poem was first published in the Monthly Repository; later, it appeared in Dramatic Lyrics (1842) paired with Porphyria's Lover under the title "Madhouse Cells".
A number of his key works are literary-inspired, and much of his music is for strings, notable exceptions being the early wind quintet 'In Xanadu' from 1992 (after Coleridge), 'Porphyria's Lover' (1999) for flute and piano (after Browning), and the clarinet and piano '...That Which Echoes in Eternity' (after lines from Dante's Divine Comedy).
The Lover House features prominently in the Taylor Swift Eras Tour set and film. Learn the meaning of the Lover House rooms and other Taylor Swift easter eggs.
However, later undertones hint at the faultless painter's insufficiency, as Lucrezia still chooses her lover over her husband, even though he is making her a romantic suit. He quickly falls into a class of literary males who lack masculinity, a prototype for Prufrock. King discusses del Sarto's lack of virility, as he describes his wife the way ...
The inclusion of the song has caused some fans to spiral over the idea that “Lover” and some of Swift’s other love songs about Alwyn — including “Sweet Nothing” — represent what it ...