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"Cavern" is a 1992 song by the American band Phish. It is the third track from their 1992 album A Picture of Nectar and was also released as their second promotional single by Elektra Records. The song is a beat-driven funk rock song written by Phish guitarist and lead vocalist Trey Anastasio and lyricist Scott Herman and Tom Marshall.
Tracks 2, 8, 9, and 14 are instrumentals. The song "Manteca" is a cover of the song by jazz trumpeter Dizzy Gillespie; in Phish's short version, the melody line is sung as a goofy nonsense phrase. [5] "Poor Heart" is written in a hybrid of bluegrass and "hot licks" country styles. The Latin jazz instrumental "The Landlady" is performed in ...
The band expands on "Cavern" well into the 13-minute mark, a song that is usually about four minutes long in concert. This would be the last Phish concert until their return to Europe in July. In addition to being a CD release, this concert is available as a download in FLAC and MP3 formats at LivePhish.com.
The first Phish tribute album - Sharin' in the Groove - was a double album created by a non-profit group of fans called The Mockingbird Foundation, who also published The Phish Companion. The album features a number of high-profile musicians performing Phish songs, including Jimmy Buffett , The Wailers , Dave Matthews , Arlo Guthrie , Hot Tuna ...
This is an incomplete list of original songs composed by the rock band Phish. Certain "sections" of songs have been played separately from time to time, but are not listed below. For instance, the middle section of "Guelah Papyrus" was sometimes played by itself under the name "The Asse Festival.”
"Chalk Dust Torture" is a 1992 song by the American band Phish. It is the thirteenth track from their 1992 album A Picture of Nectar and was also released as their first promotional single by Elektra Records. The song is a riff-based, fast-paced rock song written by Phish guitarist and lead vocalist Trey Anastasio and lyricist Tom Marshall. The ...
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The band's summer 1998 tour saw them add songs into their repertoire that would later be included on that year's The Story of the Ghost album (including setlist staples "Roggae" and "The Moma Dance" [a], the latter of which was performed during the second set of the July 16 show) and continue the funk-influenced improvisational style that came to the forefront the previous year.