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The Golem is in the public domain [11] and over the years has been released many times in poor quality, unrestored black and white versions. It is the only movie in the Golem trilogy that survived World War II. [6] [12] The film was first restored in 1977 in Germany and scored by Karl-Ernst Sasse. This version is not readily available on home ...
Expressionist music would "thus reject the depictive, sensual qualities that had come to be associated with impressionist music. It would endeavor instead to realize its own purely musical nature—in part by disregarding compositional conventions that placed 'outer' restrictions on the expression of 'inner' visions".
Die Brücke (The Bridge), also known as Künstlergruppe Brücke or KG Brücke, was a group of German expressionist artists formed in Dresden in 1905. The founding members were Fritz Bleyl, Erich Heckel, Ernst Ludwig Kirchner, and Karl Schmidt-Rottluff. Later members were Emil Nolde, Max Pechstein, and Otto Mueller.
Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German expressionist cinematography. Many of the prototypical stories and attitudes expressed in classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression , known as noir fiction .
German Expressionism was an artistic movement in the early 20th century that emphasized the artist's inner emotions rather than attempting to replicate reality. [1] German Expressionist films rejected cinematic realism and used visual distortions and hyper-expressive performances to reflect inner conflicts. [2]
Nazi Germany: Dancing cigarette animation, black and white [17] Pie in the Sky: Ralph Steiner, Elia Kazan, Molly Day Thatcher, Irving Lerner: Elia Kazan, Russell Collins: United States: Satire [76] Pink Guards On Parade: Oskar Fischinger: Nazi Germany: Abstract advertisement, Gasparcolor, unfinished; recreation on video made in 2000 by William ...
The game is presented in black-and-white tones, using lighting, film grain effects and minimal ambient sounds to create an eerie atmosphere often associated with the horror genre. Journalists praised the dark presentation, describing the work as comparable to film noir and German Expressionism.
Gabriele Münter (19 February 1877 – 19 May 1962) was a German expressionist painter who was at the forefront of the Munich avant-garde in the early 20th century. [1] She studied and lived with the painter Wassily Kandinsky and was a founding member of the expressionist group Der Blaue Reiter.