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E-flat major was the second-flattest key Mozart used in his music. For him, E-flat major was associated with Freemasonry; "E-flat evoked stateliness and an almost religious character." [4] Edward Elgar wrote his Variation IX "Nimrod" from the Enigma Variations in E-flat major. Its strong, yet vulnerable character has led the piece to become a ...
Loughnane was the last original Chicago member to receive a songwriting credit. According to Cetera, though, he needed some help. "I tried to help Lee Loughnane with a song," Cetera says, "and that song turned out to be 'Call On Me.' Lee had written a song. It wasn't called, 'Call On Me,' it was called something else, and it in fact was terrible.
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
Printable version; In other projects Wikidata item; Appearance. move to sidebar hide. Call on Me may refer to: Music. Albums. Call on Me, a 1980 ... "Call on Me", by ...
The original version of the work was premiered by the Helsinki Philharmonic Orchestra, conducted by Sibelius on 8 December 1915, his 50th birthday. The second version, only part of which survives, was first performed by the Orchestra of Turun Soitannollinen Seura in Turku exactly one year later. The final version, which is the one most commonly ...
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In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means that they usually support a melody originally designed for the tonic (I) chord.
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