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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
In funk music this is often done over a sixteenth note pattern with occasional sixteenths undamped. Floating is the technique where a chord is sustained past a sixteenth note rather than that note being scratched, the term referring to the manner in which the right hand "floats" over the strings rather than continuing to scratch.
A tuning system is the system used to define which tones, or pitches, to use when playing music. In other words, it is the choice of number and spacing of frequency values used. Due to the psychoacoustic interaction of tones and timbres, various tone combinations sound more or less "natural" in combination with various timbres. For example ...
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
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The naming of individual Cs using the Helmholtz system. Helmholtz pitch notation is a system for naming musical notes of the Western chromatic scale.Fully described and normalized by the German scientist Hermann von Helmholtz, it uses a combination of upper and lower case letters (A to G), [a] and the sub- and super-prime symbols ( ͵ ′ or ⸜ ⸝) to denote each individual note of the scale.
The music of Liszt. London: Williams & Norgate. pp. 155–195. S Searle's catalogue, published in 1954 as The Music of Liszt, built upon the 1931 catalogue devised by Peter Raabe: Winklhofer, Sharon (2004). Ferenc Liszt (1811–1886): list of works : comprehensively expanded from the catalogue of Humphrey Searle as revised by Sharon Winklhofer ...