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Spiritualist art or spirit art or mediumistic art or psychic painting is a form of art, mainly painting, influenced by spiritualism. Spiritualism influenced art, having an influence on artistic consciousness, with spiritual art having a huge impact on what became modernism and therefore art today.
Effect of light from the rose window in Bari Cathedral, recurring in religious architecture to metaphorically allude to the spiritual light. [1]In theology, divine light (also called divine radiance or divine refulgence) is an aspect of divine presence perceived as light during a theophany or vision, or represented as such in allegory or metaphor.
Things have existence in the mind, in their own nature (proprio genere), and in the eternal art. So the truth of things as they are in the mind or in their own nature – given that both are changeable – is sufficient for the soul to have certain knowledge only if the soul somehow reaches things as they are in the eternal art. [6]
She painted "several series of impressive paintings exploring spiritual or sacred concepts". Her unique style united, in Tessel Bauduin's opinion, "geometric and biomorphic form with a free line". [60] [note 11] Af Klint considered abstract art to be the "spiritual precursor of a utopian social harmony, a world of tomorrow."
Francesco illuminated parts of the manuscript including an image of Landino and the Glory of Christ, yet there is speculation as to if he is the true artist to a portrait of two men. [6] On one particular page of the manuscript Francesco compares the spiritual to the secular.
The group is illuminated by natural light which filters through a hidden window in the dome of the surrounding aedicule, and underscored by gilded stucco rays. Teresa is shown lying on a cloud indicating that this is intended to be a divine apparition we are witnessing.
Islamic art has reflected this balanced, harmonious world-view. It focuses on spiritual essence rather than physical form. While there has been an aversion to potential idol worship through Islamic history, this is a distinctly modern Sunni view.
Consequently, no figure art was produced for, or by, the Jewish communities in Judea and Galilee during Jesus' lifetime, or in the decades that followed. [11] But attitudes towards the interpretation of this Commandment changed through the centuries, and by the third century, some Jewish communities were producing figure art.